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Paintings & Photography
[ More Paintings ] [ More Paintings Acrylics ] [ Watercolors ] [ More Photography ] [ ML Artwork @Dallas Museum of Art ] [ Tokyo ] [ Japan's Seacoast 1 ] [ Japan's Seacoast 2 ] [ Hanoi ] [ Saigon ] [ Buenos Aires, Dec 20, 2002 ] [ ML Ceramics ] Art Presentation at University of Maryland University College
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During the early '90s, I painted these life-size acrylic paintings to
the left. The paintings are both figurative and abstract, dealing with the
natural world, the skies, trees and ocean, forms both geometric and
organic, movement and memory. I was also influenced by the
European cathedrals I visited, especially in France,-- walking inside
them and being moved by the stained glass, to see what light flowed
through.
I
started these paintings when I was living in Houston during the early 90's and continued them when
I moved to San Francisco in 1993. I had this idea of building
these frames that jutted out from the paintings, like painful appendages of
oneself. It was an impractical idea, in the end, because it was indeed
painful to transport them.
"The
Forbidden Room"
1993,
78" x 96"
Acrylic
on canvas, wood, stain. |
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"Out
of the Womb, Into the Myth"
1993,
65" x 85"
Acrylic
on canvas, wood, stain.
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"Tongue
of Night"
1993,
65" x 87"
Acrylic
on canvas, wood, stain. |
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Mong-Lan,
"Encounters
in Mexico"
1993,
79" x 89"
Acrylic on canvas, wood, stain
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"Deracination"
1994,
65" x 87"
Acrylic
on canvas, wood, stain. |
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Photography |
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Gravity -
Series
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These photos were taken in 1995 on my first visit
back to Vietnam. Years later, in the darkroom, I juxtaposed two
slides, sometimes words of poems. The result was a hybrid that has
the feeling of a fleeting memory.
Ha Tien, Vietnam
2000, color print
emulsion
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Vinh Long, Vietnam
2000, color print
emulsion
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Ho Chi Minh City, Vietnam
2000, color print
emulsion
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Ho Chi Minh City, Vietnam
2000, color print
emulsion
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Vinh Long, Vietnam
2000, color print
emulsion
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